sprouting clumps of mushrooms like a world surreal
This dream won't ever seem to end,
and time seems like it'll never begin
Asako Narahashi, Kawaguchiko, 2003
The Forgotten Dialect Of The Heart
-- by Jack Gilbert
How astonishing it is that language can almost mean,
and frightening that it does not quite. Love, we say,
God, we say, Rome and Michiko, we write, and the words
get it all wrong. We say bread and it means according
to which nation. French has no word for home,
and we have no word for strict pleasure. A people
in northern India is dying out because their ancient
tongue has no words for endearment. I dream of lost
vocabularies that might express some of what
we no longer can. Maybe the Etruscan texts would
finally explain why the couples on their tombs
are smiling. And maybe not. When the thousands
of mysterious Sumerian tablets were translated,
they seemed to be business records. But what if they
are poems or psalms? My joy is the same as twelve
Ethiopian goats standing silent in the morning light.
O Lord, thou art slabs of salt and ingots of copper,
as grand as ripe barley lithe under the wind’s labor.
Her breasts are six white oxen loaded with bolts
of long-fibered Egyptian cotton. My love is a hundred
pitchers of honey. Shiploads of thuya are what
my body wants to say to your body. Giraffes are this
desire in the dark. Perhaps the spiral Minoan script
is not language but a map. What we feel most has
no name but amber, archers, cinnamon, horses, and birds.
The Manger of Incidentals
-- by Jack Gilbert
We are surrounded by the absurd excess of the universe.
By meaningless bulk, vastness without size,
power without consequence. The stubborn iteration
that is present without being felt.
Nothing the spirit can marry. Merely phenomenon
and its physics. An endless, endless of going on.
No habitat where the brain can recognize itself.
No pertinence for the heart. Helpless duplication.
The horror of none of it being alive.
No red squirrels, no flowers, not even weed.
Nothing that knows what season it is.
The stars uninflected by awareness.
Miming without implication. We alone see the iris
in front of the cabin reach its perfection
and quickly perish. The lamb is born into happiness
and is eaten for Easter. We are blessed
with powerful love and it goes away. We can mourn.
We live the strangeness of being momentary,
and still we are exalted by being temporary.
The grand Italy of meanwhile. It is the fact of being brief,
being small and slight that is the source of our beauty.
We are a singularity that makes music out of noise
because we must hurry. We make a harvest of loneliness
and desiring in the blank wasteland of the cosmos.
A Small Music on a Spring Morning
-- by Margaret Avison
Why did they put the
blue and white live
balloons out with the trash
this morning just because
the party’s over — when they
thub on the cardboard still
roundly, and lift on their leashes?
Having balloons about on an
overcast morning is
celebration. O in the grey
nothing distracts from the bobbling
lightsomeness of a drift of
all-alone trembling to be touched