Isn't life a blast
It's like living in the past
Sebastian Liste, This side of the mountain, 2010
Bigeminy
-- by Dennis Mahagin
your electrophoresis
could make headlines
jump
a beat:
Arab spring to ventricular
winter occupying
Wall Street.
Suddenly it's Sunday; morning light leaks
a dirty systole in fisted
sheets, short subway
grope after dropping
a winning lottery
ticket in the jostle
and slam, wringing ropes
from a busted turnstile
rhyme, skip
a stench of wood smoke,
monkey got
flat line
from coffee grind:
a light sweet surfeit
of sleep made
to throttle.
Then some shining star
from the New York Times
opines on Face
the Nation; ekes out
some real choice ones, your guess
he says as
good
as a land mine,
Casio, defibrillator,
predator drone; compares
Wall Street
to a leap
of brook trout
ablation, No Fly
Zone, deep
jagged peaks, the fearsome
mysterious cardio gram.
A pattern
on his necktie stops
and starts
your heart.
After Ritsos
-- by Malena Morling
You know that moment in the summer dusk
when the sunbathers have all gone home to mix drinks
and you are alone on the beach
when the waves begin to nibble
on the abandoned sand castles—
And further out, over the erupted face
of the water stained almost pink
there are a few clouds that hold
entire rooms inside of them—rooms where no one lives—
in the hair
of the light that soon will go
grey and then black. It is the moment
when even the man who mops the floor
in the execution room of the prison
stops to look up into the silence
that grows like smoke or the dusk itself.
And your mind becomes almost visible
and you know there is nothing
that is not mysterious. And that no moment
is less important than this moment.
And that imprisonment is not possible.
It's like living in the past
Sebastian Liste, This side of the mountain, 2010
Bigeminy
-- by Dennis Mahagin
your electrophoresis
could make headlines
jump
a beat:
Arab spring to ventricular
winter occupying
Wall Street.
Suddenly it's Sunday; morning light leaks
a dirty systole in fisted
sheets, short subway
grope after dropping
a winning lottery
ticket in the jostle
and slam, wringing ropes
from a busted turnstile
rhyme, skip
a stench of wood smoke,
monkey got
flat line
from coffee grind:
a light sweet surfeit
of sleep made
to throttle.
Then some shining star
from the New York Times
opines on Face
the Nation; ekes out
some real choice ones, your guess
he says as
good
as a land mine,
Casio, defibrillator,
predator drone; compares
Wall Street
to a leap
of brook trout
ablation, No Fly
Zone, deep
jagged peaks, the fearsome
mysterious cardio gram.
A pattern
on his necktie stops
and starts
your heart.
After Ritsos
-- by Malena Morling
You know that moment in the summer dusk
when the sunbathers have all gone home to mix drinks
and you are alone on the beach
when the waves begin to nibble
on the abandoned sand castles—
And further out, over the erupted face
of the water stained almost pink
there are a few clouds that hold
entire rooms inside of them—rooms where no one lives—
in the hair
of the light that soon will go
grey and then black. It is the moment
when even the man who mops the floor
in the execution room of the prison
stops to look up into the silence
that grows like smoke or the dusk itself.
And your mind becomes almost visible
and you know there is nothing
that is not mysterious. And that no moment
is less important than this moment.
And that imprisonment is not possible.
1 Comments:
Brilliant blog! Cheers.
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