Head Underwater
Keeps Getting Hotter
Give 'Em Your Medicine Fame Injection
Tell Them To Jump Higher
Tell 'Em To Run Farther
Make 'Em Measure Up
Decades Longer Than You
Blaise Drummond, Yasnaya Polyana (No. 1), 2007
Getting It Right
-- by Jack Gilbert
Lying in front of the house all
afternoon, trying to write a poem.
Falling asleep.
Waking up under the stars.
Only Years
-- by Kenneth Rexroth
I come back to the cottage in
Santa Monica Canyon where
Andrée and I were poor and
Happy together. Sometimes we
Were hungry and stole vegetables
From the neighbors' gardens.
Sometimes we went out and gathered
Cigarette butts by flashlight.
But we went swimming every day,
All year round. We had a dog
Called Proclus, a vast yellow
Mongrel, and a white cat named
Cyprian. We had our first
Joint art show, and they began
To publish my poems in Paris.
We worked under the low umbrella
Of the acacia in the dooryard.
Now I get out of the car
And stand before the house in the dusk.
The acacia blossoms powder the walk
With little pills of gold wool.
The odor is drowsy and thick
In the early evening.
The tree has grown twice as high
As the roof. Inside, an old man
And woman sit in the lamplight.
I go back and drive away
To Malibu Beach and sit
With a grey-haired childhood friend and
Watch the full moon rise over the
Long rollers wrinkling the dark bay.
The Piano Speaks
-- by Sandra Beasley
After Erik Satie
For an hour I forgot my fat self,
my neurotic innards, my addiction to alignment.
For an hour I forgot my fear of rain.
For an hour I was a salamander
shimmying through the kelp in search of shore,
and under his fingers the notes slid loose
from my belly in a long jellyrope of eggs
that took root in the mud. And what
would hatch, I did not know—
a lie. A waltz. An apostle of glass.
For an hour I stood on two legs
and ran. For an hour I panted and galloped.
For an hour I was a maple tree,
and under the summer of his fingers
the notes seeded and winged away
in the clutch of small, elegant helicopters.
Keeps Getting Hotter
Give 'Em Your Medicine Fame Injection
Tell Them To Jump Higher
Tell 'Em To Run Farther
Make 'Em Measure Up
Decades Longer Than You
Blaise Drummond, Yasnaya Polyana (No. 1), 2007
Getting It Right
-- by Jack Gilbert
Lying in front of the house all
afternoon, trying to write a poem.
Falling asleep.
Waking up under the stars.
Only Years
-- by Kenneth Rexroth
I come back to the cottage in
Santa Monica Canyon where
Andrée and I were poor and
Happy together. Sometimes we
Were hungry and stole vegetables
From the neighbors' gardens.
Sometimes we went out and gathered
Cigarette butts by flashlight.
But we went swimming every day,
All year round. We had a dog
Called Proclus, a vast yellow
Mongrel, and a white cat named
Cyprian. We had our first
Joint art show, and they began
To publish my poems in Paris.
We worked under the low umbrella
Of the acacia in the dooryard.
Now I get out of the car
And stand before the house in the dusk.
The acacia blossoms powder the walk
With little pills of gold wool.
The odor is drowsy and thick
In the early evening.
The tree has grown twice as high
As the roof. Inside, an old man
And woman sit in the lamplight.
I go back and drive away
To Malibu Beach and sit
With a grey-haired childhood friend and
Watch the full moon rise over the
Long rollers wrinkling the dark bay.
The Piano Speaks
-- by Sandra Beasley
After Erik Satie
For an hour I forgot my fat self,
my neurotic innards, my addiction to alignment.
For an hour I forgot my fear of rain.
For an hour I was a salamander
shimmying through the kelp in search of shore,
and under his fingers the notes slid loose
from my belly in a long jellyrope of eggs
that took root in the mud. And what
would hatch, I did not know—
a lie. A waltz. An apostle of glass.
For an hour I stood on two legs
and ran. For an hour I panted and galloped.
For an hour I was a maple tree,
and under the summer of his fingers
the notes seeded and winged away
in the clutch of small, elegant helicopters.
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