June 22, 2010

the tissue box is empty
no coffee for my cream
dogs howl in the alley
crazy women scream



Ed van der Elsken, Couple, 1970

* From Lester Bang's 1974 essay How to Be a Rock Critic:

The first thing to understand and bear in mind at all times is that the whole thing is just a big ruse from the word go, it don't mean shit except exploitatively and in the zealotic terms of wanting to inflict your tastes on other people. Most people start writing record reviews because they want other people to like the same kind of stuff they do, and there's nothing wrong with that, it's a very honest impulse. I used to be a Jehovah's Witness when I was a kid so I had it in my blood already, a head start. But don't worry. All you gotta do is just keep bashin' away, and sooner or later people will start saying things to you like "How do you fit the Kinks into your overall aesthetic perspective?"

Well they won't really talk that jiveass, but damn close if you travel in the right (or wrong, as the case may be) circles. Because that old saw is true: most rock critics are pompous assholes. Maybe most critics are pompous assholes, but rock critics are especially--because they're working in virgin territory, where there's absolutely no recognized, generally agreed on authority or standards. Nor should there be. Anything goes, so fake 'em out every chance you get. Rock 'n' roll's basically just a bunch of garbage in the first place, it's noise, it's here today and gone tomorrow, so the only thing that can possibly trip you up is if you begin to reflect that if the music's that trivial, can you imagine how trivial what you're doing is?

Which actually is a good attitude to operate from, because it helps keep the pomposity factor if check. Half the rock critics in the country, no, 90% of the rock critics in the world have some grand theory they're trying to lay on each other and everybody else, which they insist explains everything in musical history and ties up all the loose ends. Every last one of 'em has a different theory and every last one of the theories is total bullshit, but you might as well have one as part of your baggage if you're going to pass. Try this: ALL ROCK 'N' ROLL CULTURES PLAGIARIZE EACH OTHER. THAT IS INHERENT IN THEIR NATURE. SO MAYBE, SINCE WHAT ROCK'N' ROLL'S ALL ABOUT IS PLAGIARISM ANYWAY, THE MOST OUT-AND-OUT PLAGIARISTS, THE IMITATORS OF THE PRIME MOVING GENIUSES, ARE GREATER AND MORE VALID THAN THOSE GENIUSES! JUST CHECK THIS OUT: THE ROLLING STONES ARE BETTER THAN CHUCK BERRY! THE SHADOWS OF KNIGHT WERE BETTER THAN THE YARDBIRDS! P.F. SLOAN'S FIRST ALBUM WAS A MASTERPIECE, WAY BETTER THAN BLONDE ON BLONDE (I know one prominent rock critic in Texas who actually believes this; he's a real reactionary, but so are most of 'em!)!

Pretty pompous, huh? Well, that just happens to be one of my basic theories, although I don't really believe all the stuff I said in there (not that that makes a diddley damn bit of difference), and you can have it if you want it to bend or mutate as you please. Or come up with your own crock of shit; anyway, it's good to have one for those late-nite furious discussions leading absolutely nowhere. See, the whole thing's just a big waste of time, but the trappings can be fun and you always liked to whack off anyway. Like, look, you can impress people you wanna fuck by saying impressive things like "John Stewart Mill couldn't write rock 'n' roll, but Dylan could have written 'An Essay On Human Understanding.' Only he would have called it 'Like a Rolling Stone!'" (Dave Marsh of creem Magazine actually said that to me, and everybody else who lived with us, and everybody he talked to on the phone for the next month, once.) Just imagine laying that on some fine little honey--she'd flip out! She'd think you were a genius! Either that or a pompous asshole. But in this business, like any other, you win some and you lose some. Persevere, kid.

* Eric Amling will be reading from his new chapbook "Total Surfdom" Saturday June 26, 2010 at Sunny's Bar in Red Hook, Brooklyn (253 Conover St) starting at 7:30pm. Also reading: Al Duvall. Stop in if you are nearby.

* Salon reads so you don't have to: ten best parts of Pat Benatar's memoir.

* "You know, a lot of people feel sorry for him, because he's so tall and awkward. But I'll tell you this -- if everyone in the world was a Manute Bol, it's a world I'd want to live in." -- Charles Barkley, RIP Manute

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