what comes is better than what came before
Sarah Nesbit, Walking Home, 2006
Stars
-- by Freya Manfred
What matters most? It's a foolish question because I'm hanging on,
just like you. No, I'm past hanging on. It's after midnight and I'm falling
toward four a.m., the best time for ghosts, terror, and lost hopes.
No one says anything of significance to me. I don't care if the President's
a two year old, and the Vice President's four. I don't care if you're
cashing in your stocks or building homes for the homeless.
I was a caring person. I would make soup and grow you many flowers.
I would enter your world, my hands open to catch your tears,
my lips on your lips in case we both went deaf and blind.
But I don't care about your birthday, or Christmas, or lover's lane,
or even you, not as much as I pretend. Ah, I was about to say,
"I don't care about the stars" -- but I had to stop my pen.
Sometimes, out in the silent black Wisconsin countryside
I glance up and see everything that's not on earth, glowing, pulsing,
each star so close to the next and yet so far away.
Oh, the stars. In lines and curves, with fainter, more mysterious
designs beyond, and again, beyond. The longer I look, the more I see,
and the more I see, the deeper the universe grows.
I have a long way to go, and I'm starting now --
out in the silent black Wisconsin countryside.
Speed, a Pastoral
-- by John Forbes
it’s fun to take speed
& stay up all night
not writing those reams of poetry
just thinking about is bad for you
— instead your feelings
follow your career down the drain
& find they like it there
among an anthology of fine ideas, bound together
by a chemical in your blood
that lets you stare the TV in its vacant face
& cheer, consuming yourself like a mortgage
& when Keats comes to dine, or Flaubert,
you can answer their purities
with your own less negative ones — for example
you know Dransfield’s line, that once you become a junkie
you’ll never want to be anything else?
well, I think he died too soon,
as if he thought drugs were an old-fashioned teacher
& he was the teacher’s pet, who just put up his hand
& said quietly, ‘Sir, sir’
& heroin let him leave the room.
(In DC? Story/Stereo #3 is tonight at the Writer's Center in Bethesda, 8:00 PM sharp. The music: Zomes (Asa Osborne of Lungfish). The writers: Dylan Landis (Normal People Don’t Live Like This) and Brian Gilmore (Elvis Presley is Alive and Well and Living in Harlem). More info at Storystereo.)
Sarah Nesbit, Walking Home, 2006
Stars
-- by Freya Manfred
What matters most? It's a foolish question because I'm hanging on,
just like you. No, I'm past hanging on. It's after midnight and I'm falling
toward four a.m., the best time for ghosts, terror, and lost hopes.
No one says anything of significance to me. I don't care if the President's
a two year old, and the Vice President's four. I don't care if you're
cashing in your stocks or building homes for the homeless.
I was a caring person. I would make soup and grow you many flowers.
I would enter your world, my hands open to catch your tears,
my lips on your lips in case we both went deaf and blind.
But I don't care about your birthday, or Christmas, or lover's lane,
or even you, not as much as I pretend. Ah, I was about to say,
"I don't care about the stars" -- but I had to stop my pen.
Sometimes, out in the silent black Wisconsin countryside
I glance up and see everything that's not on earth, glowing, pulsing,
each star so close to the next and yet so far away.
Oh, the stars. In lines and curves, with fainter, more mysterious
designs beyond, and again, beyond. The longer I look, the more I see,
and the more I see, the deeper the universe grows.
I have a long way to go, and I'm starting now --
out in the silent black Wisconsin countryside.
Speed, a Pastoral
-- by John Forbes
it’s fun to take speed
& stay up all night
not writing those reams of poetry
just thinking about is bad for you
— instead your feelings
follow your career down the drain
& find they like it there
among an anthology of fine ideas, bound together
by a chemical in your blood
that lets you stare the TV in its vacant face
& cheer, consuming yourself like a mortgage
& when Keats comes to dine, or Flaubert,
you can answer their purities
with your own less negative ones — for example
you know Dransfield’s line, that once you become a junkie
you’ll never want to be anything else?
well, I think he died too soon,
as if he thought drugs were an old-fashioned teacher
& he was the teacher’s pet, who just put up his hand
& said quietly, ‘Sir, sir’
& heroin let him leave the room.
(In DC? Story/Stereo #3 is tonight at the Writer's Center in Bethesda, 8:00 PM sharp. The music: Zomes (Asa Osborne of Lungfish). The writers: Dylan Landis (Normal People Don’t Live Like This) and Brian Gilmore (Elvis Presley is Alive and Well and Living in Harlem). More info at Storystereo.)
1 Comments:
Thank you for this blog.
It is beautiful
Post a Comment
Subscribe to Post Comments [Atom]
<< Home