I never knew the bird could fly so low
John Gutmann, The Artist Lives Dangerously, San Francisco, 1938
Housekeeping
-- by Mary Margaret Staples
1.
Silliman’s blog
gives me a headache
His poetry
puts me to sleep
Silliman has the charisma
of a train wreck
the fascination
of a not-the-perp creep
Silliman has all the energy
He leaves all the self-doubt for me
Leave it to me to have an enemy
no one knows and who doesn’t know me
Silliman thinks he’s post-post-avant
as if dashes are chasms to leap
Silliman’s blog
gives me a headache
His poetry
puts me to sleep
2.
Kleinzahler jumped bad on Keillor
for confusing a poem and a sermon
A difference of taste – French or German?
To the sick man his Ataturk healer,
the baby his rattle, the stylist her tone,
the soldier his battle, the angel her mercy. . .
Some rumble! No one even got decked!
The pot sticker calling the kettle drum
the N-word, collect
--- back Tuesday
John Gutmann, The Artist Lives Dangerously, San Francisco, 1938
Housekeeping
-- by Mary Margaret Staples
1.
Silliman’s blog
gives me a headache
His poetry
puts me to sleep
Silliman has the charisma
of a train wreck
the fascination
of a not-the-perp creep
Silliman has all the energy
He leaves all the self-doubt for me
Leave it to me to have an enemy
no one knows and who doesn’t know me
Silliman thinks he’s post-post-avant
as if dashes are chasms to leap
Silliman’s blog
gives me a headache
His poetry
puts me to sleep
2.
Kleinzahler jumped bad on Keillor
for confusing a poem and a sermon
A difference of taste – French or German?
To the sick man his Ataturk healer,
the baby his rattle, the stylist her tone,
the soldier his battle, the angel her mercy. . .
Some rumble! No one even got decked!
The pot sticker calling the kettle drum
the N-word, collect
--- back Tuesday
Labels: August Kleinzahler, Garrison Keillor, Mary Margaret Staples, Ron Silliman
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