Meaningless like when two fireflies fluoresce
James Lofton, Confetti
The Sound
-- by kim addonizio
Marc says the suffering that we don't see
still makes a sort of sound -- a subtle, soft
noise, nothing like the cries of screams that we
might think of -- more the slight scrape of a hat doffed
by a quiet man, ignored as he stands back
to let a lovely woman pass, her dress
just brushing his coat. Or else it's like a crack
in an old foundation, slowly widening, the stress
and slippage going on unnoticed by
the family upstairs, the daughter leaving
for a date, her mother's resigned sigh
when she sees her. It's like the heaving
of a stone into a lake, before it drops.
It's shy, it's barely there. It never stops.
Tombstone as a Lonely Charm, Part 2
--by d.a. levy
you had the deepest eyes
as a child
when you cautiously looked
up at the sun
and restlessly wrote
the world's greatest poem
and your brothers
drinking in the clear water
of the universe
wrote their words with
gold on sacred blue
later they sat back
in the soft fat of their
glutted egos
& talked into eternity
about the mysteries
after the poetic-orgasm
you were still haunted
by some young girl's face
It Was Like a Date
-- by Ellen Maybe
he held doors open for me
he carried my books
he let me order first
I looked into his eyes
my stomach was a butterfly museum
we got to know each other better
I wondered if I'd see him again
a calendar shed history onto the carpet
we talked about music
silence sat atop the napkin dispensers to absorb
the shy ingredients
we sat by a window
we finished each other's exclamations
we walked through centuries to get there
the trees changed seasons
vulnerability - the soup of the minute
we found sunflowers in each other's ears
we crossed the streets our heroes lived on and
sung their eternity
there were angels in the salt and pepper shakers
I felt like upside down dancing
more a Chagall bride than a woman
more a woman than usual
of this I realized it resembled love.
James Lofton, Confetti
The Sound
-- by kim addonizio
Marc says the suffering that we don't see
still makes a sort of sound -- a subtle, soft
noise, nothing like the cries of screams that we
might think of -- more the slight scrape of a hat doffed
by a quiet man, ignored as he stands back
to let a lovely woman pass, her dress
just brushing his coat. Or else it's like a crack
in an old foundation, slowly widening, the stress
and slippage going on unnoticed by
the family upstairs, the daughter leaving
for a date, her mother's resigned sigh
when she sees her. It's like the heaving
of a stone into a lake, before it drops.
It's shy, it's barely there. It never stops.
Tombstone as a Lonely Charm, Part 2
--by d.a. levy
you had the deepest eyes
as a child
when you cautiously looked
up at the sun
and restlessly wrote
the world's greatest poem
and your brothers
drinking in the clear water
of the universe
wrote their words with
gold on sacred blue
later they sat back
in the soft fat of their
glutted egos
& talked into eternity
about the mysteries
after the poetic-orgasm
you were still haunted
by some young girl's face
It Was Like a Date
-- by Ellen Maybe
he held doors open for me
he carried my books
he let me order first
I looked into his eyes
my stomach was a butterfly museum
we got to know each other better
I wondered if I'd see him again
a calendar shed history onto the carpet
we talked about music
silence sat atop the napkin dispensers to absorb
the shy ingredients
we sat by a window
we finished each other's exclamations
we walked through centuries to get there
the trees changed seasons
vulnerability - the soup of the minute
we found sunflowers in each other's ears
we crossed the streets our heroes lived on and
sung their eternity
there were angels in the salt and pepper shakers
I felt like upside down dancing
more a Chagall bride than a woman
more a woman than usual
of this I realized it resembled love.
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