All that foreign oil controlling American soil
Marcel Janco, Untitled (Mask, Portrait of Tzara), 1919
The Summer Day
-- Mary Oliver
Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean--
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down--
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don't know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn't everything die at last, and too soon?
Tell me, what is it you plan to do
With your one wild and precious life?
My Generation Reading the Newspapers
-- Kenneth Patchen
We must be slow and delicate; return
the policeman's stare with some esteem,
remember this is not a shadow play
of doves and geese but this is now
the time to write it down, record the words—
I mean we should have left some pride
of youth and not forget the destiny of men
who say goodbye to the wives and homes
they've read about at breakfast in a restaurant:
"My love."—without regret or bitterness
obtain the measure of the stride we make,
the latest song has chosen a theme of love
delivering us from all evil—destroy. . . ?
why no. . . this too is fanciful. . . funny how
hard it is to be slow and delicate in this,
this thing of framing words to mark this grave
I mean nothing short of blood in every street
on earth can fitly voice the loss of these.
For Mac
-- Jack Spicer
A dead starfish on a beach
He has five branches
Representing the five senses
Representing the jokes we did not tell each other
Call the earth flat
Call other people human
But let this creature lie
Flat upon our senses
Like a love
Prefigured in the sea
That died.
And went to water
All the oceans
Of emotion. All the oceans of emotion
are full of such fish
Why
Is this dead one of such importance?
True
-- Charles Bukowski
one of Lorca's best lines
is,
"agony, always
agony ..."
think of this when you
kill a
cockroach or
pick up a razor to
shave
or awaken in the morning
to
face the
sun.
Marcel Janco, Untitled (Mask, Portrait of Tzara), 1919
The Summer Day
-- Mary Oliver
Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean--
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down--
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don't know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn't everything die at last, and too soon?
Tell me, what is it you plan to do
With your one wild and precious life?
My Generation Reading the Newspapers
-- Kenneth Patchen
We must be slow and delicate; return
the policeman's stare with some esteem,
remember this is not a shadow play
of doves and geese but this is now
the time to write it down, record the words—
I mean we should have left some pride
of youth and not forget the destiny of men
who say goodbye to the wives and homes
they've read about at breakfast in a restaurant:
"My love."—without regret or bitterness
obtain the measure of the stride we make,
the latest song has chosen a theme of love
delivering us from all evil—destroy. . . ?
why no. . . this too is fanciful. . . funny how
hard it is to be slow and delicate in this,
this thing of framing words to mark this grave
I mean nothing short of blood in every street
on earth can fitly voice the loss of these.
For Mac
-- Jack Spicer
A dead starfish on a beach
He has five branches
Representing the five senses
Representing the jokes we did not tell each other
Call the earth flat
Call other people human
But let this creature lie
Flat upon our senses
Like a love
Prefigured in the sea
That died.
And went to water
All the oceans
Of emotion. All the oceans of emotion
are full of such fish
Why
Is this dead one of such importance?
True
-- Charles Bukowski
one of Lorca's best lines
is,
"agony, always
agony ..."
think of this when you
kill a
cockroach or
pick up a razor to
shave
or awaken in the morning
to
face the
sun.
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